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In a narrative context, II end of the world is his fourth publishing success. After his debut with the provincial Elegy (Baroni, 2007), a thriller, historical and biographical at the same time, a love story, an analysis of consciousness and consciences that the Massaciuccoli Lake, "Mirror of ancient riddles and wild ' , protagonists the master Puccini and his women, going through the history, in the West Indies (Campanotto, 2008), the emigration of a pair of young newlyweds Tuscan "driven by the desire to affirm shared values ​​and progress humanly», up the narrative journey of La sufficient grace (Campanotto, 2010) "to go back to the time of the first contacts between the Western and Eastern cultures, in search of a human life and sensitive, fair-minded and happy," Micheli now returns to surprise us with the subliminal message thirty of these engaging and shocking chapters, embellished with a prologue, an epilogue and an appendix lighting, which, with the unrelenting urgency than thirty scenic sequences do not always consequential, chasing each other to give a utopian vision of reality and invite us to reflect the end of the existence or knowledge of a finally habitable world.
The goal, of course, masculine noun, as an end or the end which is a direct action [lat. finis, to cast from the Gr. τέλος as meaning 'order, order'], but also the / the end, noun masculine and feminine but most commonly used by women, as the last part, the last time the one thing, the point or the time when this ceases [lat. finis 'limit, termination'], as defined in the lemma stated on the vocabulary of the Treccani Italian language.
Micheli deliberately opts for the male and in an apocalyptic scenario unfolds a dreamlike collective unconscious analysis that drives the dynamics of power and trigger non-return solutions to a hypothetical third world nuclear war between the United States of America a president permissive and helpless even "arrogant narcissist", Wu, "prisoner" of the military leaders who exclude from the control room and I revoke all legitimate authority for giving up "their dream [...] to rule [...] above a world of ruins ", and the People's Republic of President Wei.

In the background, to feed the winds of an open declaration of war, "the [Chinese policies] of currency manipulation", which damage the US economy, and "the heinous scourge of illegal abortions and infanticide ', linked the law limiting births and to "an alliance of interests for the economic and biological control of the Chinese working class," which offends the conscience of every man and does not allow young people in China to freely dispose of their own sexuality and their own lives.
Yet the harbingers of the catastrophe and its consequences were already visible in life with inclement disasters of flood and a storm of unprecedented violence, with downstream whole landslide of a mountain ridge, with the scourge of famine ... as if, in fact, the Nature, with its devastating force, wanted to put the man in front of his responsibilities as a definitive atomic attack, whose well-documented outcomes exposure of corpses torn at the Museum of Modern Art of New York, "a real punch in the stomach, a real squeezed by dirty bowels of militarism."
It's a dream, in the end, what the four remaining players will be called upon to reveal and decipher the president Wu, responsible for the explosion of a devastating tested hydrogen that had "brought so much harm to innocent children, women and men who cultivated the dream of a happy life. " Even the living death and regretted "the mothers saw the flesh of children open up like flowers of death"!
On the one hand, the actual Western world of Mark and Sophie, two lives lost in moments "of human happiness and mutual empathy" and joint act of physical and spiritual love that makes up their thoughts in an unambiguous harmony of perceptions and in harmony, in unison generates the question "who am I?" and, in the "contemplation of future events", the concise and effective judgment: "I am the one who will." A coded message, if you will, that Mark based on knowledge of the heart and soul of every human being to regenerate a new life on earth, to spread "the seed from which sprout future lives."
On the other, the mystic of the eastern world and Kuei Huang Fei, drawn through feelings of love "of their souls on the dream, cyclical and infinite, of deaths and births," and self-observation from the outside in '' cross the great water, and finally arrive at what will be. "
Four characters subtracted to death for the noble purpose of revelation, but damned "the experience of the failure of the most profound aspirations."
A novel, then, is a distillation of dense poetic prose with a strong and determined character, but by the melancholy tone and sentimental, sometimes anguished, in fluctuating dichotomy between war and peace, light and dark, love and hate, happiness and pain at the base of a deep plot, discussed with valid critical spirit. The conceptual breadth of narrated materializes in an untilled and essential language, what it's like in the ropes of Micheli, played on the obsessive search of the lemma, so that adorns the wise descriptions of nature and moods.
Perhaps, at first superficial reading, the reader could risk getting lost in the chaotic stream of consciousness narrative and miss the action coordinates, time and space of the novel, but Micheli knows the harshness and difficulties of their own writing and then invites him , sternianamente, to cooperate with the omniscient narrator of the work to run ( "the Serber player even a vague impression", "if the reader has previously", "the reader will willingly accept"), until either joint, after making some assumptions necessary and immanent to the reality in which accompanied him, the diegetic time to suggest the explicit of which humanity is the living subject, "So, perhaps, desidereresti live again the dawn of 'humanity; you would know if, today, you will want only to survive the disease that, in and out, you contagious, or heal. "

Fabio Flego


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