Poetry. The conspicuous poetic production of approximately six years has therefore a considerable formal variety and a strong thematic structure divided into several parts. An emerging data is however the stylistic of texts that, as articulated, are closely bound to a decidedly personal language and able to adapt to every situation.
The author succeeds in fixing moments that seem fleeting, and determines them in their characteristics, a capacity that it actually belongs to the writing: the making unmovable in his interpretive fluidity places, objects, thoughts and even emotions.
The rhythm of the texts to each contained so within a measure that characterizes most of that production. Even when they show whether or mythological events (in the eponymous section) style does not come from a precise size and rather it acquires under the expressive elegance profile. Sometimes the lines are envisaged in poems where the contiguity of extended elements are intact and in effect creates 'stories' or descriptions.
However, the anaphora (eg. Sixty black olives) does not establish a '' mechanism but captures each step the particular insights that arise from the imagination. The nature must be subject to a will which in turn is in doubt or in front of a choice: at the end nature will prevail? "In gora putrid water | Digital fragments of man "(p. 148). It would be interesting to put a comparison between the Mosi Mosi writer and poet.
Luciano Nanni