Crisis is a unique work of its kind: it has the power to undermine the stereotypes proposed, on the one hand, by advertising, with subtle smoothness that try to instill in the consumer's mind the image of a perfect world in which all problems are solved with a product, and, second, by the media, which superficially and rhetorically submit only scenes of violence and destruction.
The reality, that profound, that it is facing the people day by day, that the work of the report, the pursuit of happiness, suffering, dell'irrealizzazione not been shaped on talk shows or in television reports, live art and the characters in which the reader sees himself, his "evil of living", the anxiety of the future, instability of age technologically advanced that, contrary to the modern expectations in infinite progress, despite our civilization has He defeated the specter of hunger and most diseases, can not in any way to improve people's happiness.
The author scours unflinchingly this condition, in which unconscious fantasies stir uncontrollable and not redeemable: the eternal struggle between good and evil (Giulio Greek).
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