Doris Bellomusto's poems fully respond to the etymon of the adjective the author chooses to name this collection. 'Naked' is the feminine of the adjective 'naked'. What we are reading is unadorned, but rich in images and unusual juxtapositions like Kurt Cobain and a chessboard.
The lyric self fully responds to the figurative sense of the nakedness of these verses, because they are straightforward, simple verses. One can feel their purity, despite himself (from the preface by Ilaria Grasso)