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The torment of the poet in prayer

Even when we do not know anything about him, God "is like a voice from the voice that speaks inside." And in "Lader de Diu - When God sings" (Julian Ladolfi Editor), Franco Loi, one of our greatest ...

Even when we do not know anything about him, God "is like a voice from the voice that speaks inside." And in "Lader de Diu - When God sings" (Julian Ladolfi Editor), Franco Loi, one of our greatest poets of all time, a sort of weaves its dialogue with God, who reveals a voice of silence, but always present in human events.

"I talk to desire to be with the conscience," says the poet, animated by a deep religiosity and devoid of rhetoric.

 

logolarocca«Fortunately philosophical knowledge manages to escape the clutches of epistemology that wants to crystallize in a definition devoid of developments and relationships "(p.6). The philosophy as an approach to existence, as theoretical research, yes, but with more applications than ever before practice. Stephen Cazzato, professor of philosophy in high schools for over twenty years and contributor to newspapers and magazines, lucidly points out, in the wake of Deleuze's philosophy is not how much you actually know a single, but a knowledge which branches and turns "sometimes colonizing other disciplines, sometimes giving in to them, more often contaminate and marrying» (ibidem).


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The ablative absolute serving their particular solitude. They are " loose" , they construct in itself, nor are they related with the main stream of the speech , whatever it is . They often express an "a priori" , something that is fundamental and that together we can do without, but that then requires its own "destination", or fate , the ablative absolute metaphor of the individual. This is the meaning of the title of the collection that the inside is divided into three parts.

In the first part , entitled " Poetry and Truth " , the biblical citations , which are the title to individual poems , interwoven with the stories of the characters of the Iliad , creating a metaphoric system : the commandment of a dark god as a oracle , ironic, since you already know that the individual can not obey and will have to follow their own destiny. The ultimate meaning of the heroic thrust is reversed , indeed revised , making it the God of the Bible little more than a " Zeus " and the character of Homer common man.


 

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" Following a very unpleasant personal story that I saw guest at the San Vittore prison for more than five months, I found myself writing a" book " on that episode of real life . I'm really into and over the following months, I have developed two other " novels " . " Self scrivev so Paul Titta , born in Varese November 5, 1967 and that the work is certainly not the leader writer .

Survey imperfecta ( Giuliano Ladolfi Publisher , 303 pages , 20 € ) is one of the novels that Titta had in mind . The book tells of the "second life " by Renzo Brunetti, one that is painstakingly reconstructed in Milan as professor of Italian at a high school in the suburbs .

But of course that is intertwined with the first , when he lived in Ancona and only twenty-nine had already become Inspector of Police . A career began and ended early, a bloody spring day in which his life was irrevocably changed. A tragedy that has left a legacy so much pain to the point of doing it close itself to defend against the ghosts of the past , relegating him to a solitary existence . Only company remained ( and wanted ) was to Rocky , a boxer over sixty pounds of muscle .


 

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Accompanied by the encouragement of numerous presentations and critical notes ( a letter from Renato Minore, a presentation by Guido Oldani , a critique note of Matteo Vecchio at the end of the text, a back cover of Francesca Mastruzzo ), the volume is a collection of Luciana Dimartino of poems by the tone and coordinated cut and intensely detected in which glimpses of lacerating lyrical depth mate reads the broader reality .

It is no coincidence Renato Minore speaks of " a diary and even nagging force , but without resentment , the continuous dialogue with you always in a scene , as if the other voice is that of the accompaniment which, respecting the rhythm and breathing , says a melody, prepares , collects , and sometimes it is interwoven without ever trying to fight it or disorient him , "the voice that I would / her voice calm / the smile that did not taste " "[1] .

Oldani , however, more related to a kind of pictorial movement of the writing and its ripple coloristic and shiny found in the poetry of Letizia Dimartino a shadowy representative size and firm at the same time .


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"It is not clear today whether the signals that are picked by people, talking and working with them, sharing spaces and interests, are really those of a permanent change in the horizon of the present life."

With these words, Gian Mario Villalta introduces the new book of poems “La direzione delle cose” by Roberto Cescon, Giuliano Ladolfi Editore, 2014, (euro 10,00).

Villalta seems to refer to a "generation entrant" trying to give the signal of a definite change of this through word of poetry.

But who are these new poets? What story do they have? Who are their fathers? What will determine the horizon poetic change? It will be a real change? "It is not the loss of past and future - adds Villalta - to haunt the sequence of notes in the verses of Cescon, but their already destined to be always in a dimension of intangibility, the exclusion of a real chance to be a living force of 'acting (and thinking) everyday. "


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