Texts born for the stage, where the page implicitly asks the baptism of the scene, the scene with the ones presented here have actually had to do, intertwined with the art practices of some companies such as Italian Assembly Theatre, O 'Thiasos TeatroNatura and Theatre Selve. The same author belongs to that group of writers, indeed rather narrow, which cultivates the oral dimension of his writing, competing with public readings aloud: necessary physical translation of his own notation, or return to the scene of a matrix made ​​of original spoken word and of story, the result of background does not change and testifies to a certain irreducibility of the body to the absoluteness of the literary fact. This is a very interesting line of Italian theater, which sees shine some towering figures of author-actors (Giuliano Scabia, Mariangela Gualtieri, etc..) And actor-writers (Marco Baliani, Mimmo Cuticchios, etc.). not to mention the authors "page" in the strict sense, which also love to explore the territories inaccessible, and sometimes thankless, high voice (not always ungrateful because all entries are copyright of the authors voice). But certainly among the latter, writers who are also able to be authors of their own phonè, we can not forget the Hidden Gianni, Stefano Benni and the same Laura Pariani (Franco Acquaviva).