The relationship between the sensitive world and the "beyond" is not sought by the young Pietro Fratini in suspended atmospheres, in bold metaphors, in intellectual limbs, but within a reality captured by the astonished eyes of those who plunge into it The totality of one's being, with all faculties, doubts, questions and provisional answers.

Such a poetic arrangement is placed at the service of a fundamentally research-based Weltanschauung (Montale): what is the sense of existence?

And research is not limited to observation of the world, but it creeps into the study of poets, especially Eliot, of whom "stole" entire verses quoted in the original. Contemporary poetry does not remain the only continent to explore. Fratini, in fact, is immersed in the classical tradition: in Escherichia Oreste, Petronio, Apuleius, in Italian tradition, for example, without allusive transpositions (Giulio Greco).