In the space of a decades-long, fruitful literary activity, which was endorsed by authoritative critics awards and comforted by a broad consensus of public, Curzia Ferrari has been able to continuously regenerate and renew itself, alternating the various registers of expression of its extensive creative keyboard. After his debut as a poet and cultural journalist, Curzia was particularly involved in the field of biography, with cut between the historical, psychological and narrative; in the narrative itself, fed by gripping novels and stories; in art criticism as well as literature; translations-guardianship of the great poets of Russian area; in nonfiction both intellectual and sports.
In this profile of the multifaceted writer Milan (enhanced by a final, surprising "Conversation" with two voices), in which the analysis of the texts accompanying innervandolo, the biographical route, Vincenzo Guarracino favors poetry - with its clear implications, allusive or reticent - as a key to the "works" and "days" of Curzia Ferrari. Also because the poetic inspiration more strongly marks his recent production, culminating in a multifaceted tetralogy, where stand out "the chrism and the stigma of the real writer: the burning plague the exact word, it stabs with its sharp tip her hand extended to fix it on paper or on the computer "(M. Beck).

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