La paranoica geometria del sogno concludes the trilogy of poetry collections that began with Non c'erano fiori (Giuliano Ladolfi Editore) and Il Deserto di Milano (Edizioni Ensemble), but delves deeper into the wound: set entirely in the subconscious, it is a parade of nightmares in which the traumas of the lyrical self emerge – narrated in a symbolic manner – in dreamlike spaces and characters that, as in dreams, undergo continuous metamorphosis.

It touches the depths of the abyss, but ultimately arrives at hope, in a search for the sacralisation of pain in order to be reborn and rediscover the white light.