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Earlyfiftiesof the last century.A housein the oldhistoric center ofa cityLombardnever explicitlynamed(but evidentlyBrescia);avery specialshop,where they solditemswere packagedandmilitaryuniformsfor officers;the oratoryof the fathersof thePhilippinePeace, where FatherGiulio Bevilacqua,a friend ofGiovanniBattistaMontiniandfuture cardinal-priest,he kepthis lessonsto the young.With asoberandfreshwriting,through memoriesof childhoodand early adolescence(a prodigious memoryforaccuracyof detail), the authorbrings to lifetheeveryday lifeof his family:customs,"rites"family,theChristmas parties, holidays...
Flowingin the textparental figures,the eventsof his uncles,the storiesof the workersin the shopof his father, the friends ofthe school,the firstemotionaldisturbances.It isa diaryoflifewith the eyealways turnedto the houseof lost time;a narrativesometimesvery personal,but withvarious referencesto thesocial and cultural contextof those years:the harshcontrasts betweenDemocrats and Communists, the Cold War,the songsof the radio,the firsttelevision,the birthof the Sanremo Festival,the boomcinema,theMilleMiglia...
Apleasantamarcordwith the perfumeof the Fifties.The commemorationof the pastis accompaniedby some "cursive"Reconsideringthe placesand the eventsof that timewiththe eyes of today, revealsin the backgroundthe consciousmelancholyfor theinexorableaction of time.
«Da molto tempo non mi affaccio a una finestra come facevo allora. A una finestra, intendo dire, che guardi sulla strada, dove scorre la vita della città. Tutte le case che ho avuto, dopo la prima dell’infanzia e della giovinezza, guardavano su giardinetti interni, spazi di passaggio per le automobili, facciate di altre abitazioni. Solo quella mia prima casa aveva due finestre che davano direttamente sulla strada. A quelle finestre, da bambino, mi piaceva restare affacciato a lungo, come davanti a uno spettacolo coinvolgente, specialmente le mattine d’estate quando le scuole erano chiuse».
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