Luisa Fernanda Trujillo, one of the freest and most intense voices in the current Colombian poetic scene, has lived and continues to live far from the worldly stage and cultural organization. That desire to not appear at all costs is entirely shared by those who, like me, have a sense of rejection of the noisy and vulgar affirmation of a presidentialist literary society, ever more ephemeral and devoid of values. Luisa Fernanda is a poet of great moral integrity and strong convictions, which runs the risk of appearing outdated in our spectacular times. It is not surprising, therefore, that little attention is given to it in anthologies, repertoires or critical-bibliographic dictionaries of the current Colombian poetry, which, at times, are crowded with names of little or no literary value (Emilio Coco).

Luisa Fernanda Trujillo Amaya (Bogotà, 1960) is a poet and university professor. He teaches Literary Creation at the Central University of Bogotá.

He has written three books of poetry: De soslayo, prendada, published by the "Fundación Palabra a Tiempo" in 2010; Trazo en sesgo la noche, released in the series “Un libro por centavos” of the Externado de Colombia University in 2012 and En tierra, el pájaro olvida cantar (translated into Italian by Emilio Coco, with the title On the ground, the bird forgets about sing, Raffaelli Editore, Rimini, 2016).

She has been invited to various international poetry festivals in her country and abroad.

His poems have been translated into English, French and Italian and have appeared in magazines and magazines in Colombia, Mexico, Spain, Italy and Bolivia. Figure in published anthologies in Spain, Italy and Colombia.