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Nausicaa

Sferzava la tua immagine la pioggia

del mio sonno, stilla a stilla graffiavano

lacrime spurie uno specchio di straniata

bellezza: luridi rovi intricati alle fronde

dei capelli, blatte avide di intorbidare

le fontane degli occhi. Sulle sete

della pelle insulti neri di rughe

sfregi di suture. Così io ti ho

sognata. Ma al risveglio tu eri

lì accanto, per me, germoglio

ancora di palma quieto

e chiaro, ancora

addormentata.

Poetry taken from the collection "Pietra e farfalla" by Paolo Mazzocchini

Stone as heaviness and inert matter, but also as an enigma given and circumscribed by and to the word, because the word becomes stone when it encloses the mystery of itself and seems to preserve the most authentic meaning that underlies it, perhaps using all its weight to experience , being a sign, being a symbol.

 

 


As friends and as admirers of Dato Madgradze's poem, author of the words of the national anthem of Georgian and several times nominated for the Nobel Prize, we express the warmest congratulations for this recognition that honors him as a person, as a poet and as a politician and that he honors as editors.

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"In the" Eratoterapia "Collection, Giuliano Ladolfi Editore, the transparency of the joy and the conviction of living sends glimmers as if even the turbid and restless Arno as we suddenly became a clear torrent.

Un manto di luce rossa

sulle acque dell’Arno

fino all’orizzonte.

Grigia la fuga dei ponti.

Sullo sfondo un aereo

in discesa, trafitto

da schegge di fuoco.

Aleppo è vicina.

E il rosso del sangue.”

 


"Erato is the muse of love poetry: ergo, the title chosen by Roberto Mosi evokes the potential therapeutic capacity of writing in verse. Nothing new, but obviously we need to shift our attention to the presupposed element: because of what pathologies do we have to resort to the treatment of poetry?

The answer is not explicit. The author never declares which external factor determines the movement of the pen. We must therefore look for the reason for their writing in the verses themselves. The first disease that transpires is the absence of references, of places to find a home, in which to be "at home". So, at least, we read the different texts dedicated to physical places, mainly located in the city of Florence - where the author lives, which configure a transparent but very solid mapping in which not only Mosi, but also, with him, the reader ends up meet again, avoiding the disorientation caused by the many non-places, as Mosi calls them, declining a term so dear to Michel Foucault.


A cura di Lorenzo Spurio

I struggled a little to read his book; [...] this is not in any way a review, has no ambition to show itself as such. It is clear from his lyrics a clear preference for forms and images of classicism and this could not be otherwise given its nature, its inclination and its interests that they see the teacher in that branch of knowledge.

Beyond the exquisite workmanship of the book that testifies as always the superfluous editorial care of a publisher such as Ladolfi, I read his book in numerous shots, often returning back, rereading even two or more times some lyrics because perhaps a single and summary reading could not be considered sufficient to allow the reader to have interpretive tools. This is clearly a company that always takes the form of a book of poetry: on the one hand we try to understand what the poet really meant, on the other we often conclude that poetry is merely a communication -evocative, that is to say that it can - indeed must - be realized on several levels and therefore provide for various exegetical keys. Understanding what one is able to see and what that one thinks of seeing you.

 

 


  1. Sparire ora qui non si può on Brescia oggi
  2. Preia Estrella on Avvenire
  3. Geografie erranti on Varese Report
  4. Geografie erranti om Varese Notizie

Page 18 of 76

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If you want to purchase

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ladolfi.editore@gmail.com

 

GIULIANO LADOLFI EDITORE s.r.l.

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28021 Borgomanero (NO)

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