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Franzin-Foscarifrom "La tribuna di Treviso", April 14th, 2013

 

MOTTA DI LIVENZA. Fabio Franzini, the famous dialect poet Motta, becomes the object of study at the University Ca 'Foscari. Barter in the classroom tomorrow from 16 to 18, will be held the meeting on "Poet by subtraction: Fabio Franzin."

The speakers Matthew Vercesi and Julian Zhara, in the presence of Franzin, promote a reflection on the latest collections of the writer “Fabrica e altre poesie” and “Bestie e stranbi”.


The Title RecensioneEcoRisveglio 270313VB-rid, Holy Grail and The Goddess, the book published by Francis Teruggi last December, alludes to themes of pre-Christian religious culture that would preside over the unfinished building of the shrine of Our Lady of the Guard at Ornavasso. The author telling his progressive discovery provides an amazing interpretation of the genesis of this building. Merit of the narrative is to propose the observation of places, deductions from time to time related to topics and historically concrete information about difficult subjects, such as alchemy, accompanied by precise bibliographic references.

Thus the reader is introduced to discoveries really exceptional according to a clever adventure trail, without imposing the "truth" that researchers superficial grasp of stories and legends of the pseudo likely to make discoveries. To speak nothing of the kind cultivated by Dan Brown and similar authors of sensational literature, mysteries revealed around with too much carelessness. With regard to the founder of the great sanctuary, the writer focuses attention upon arrival in Ornavasso Giancarlo Visconti di Modrone in 1659, when the Milanese physician Francesco Giuseppe Borri, known alchemist denounced by the Inquisition, he fled taking refuge in Holland.


Con il naso rosso, a book by Lina Maria Ugolini

"Con il naso rosso" is a book of poems by Lina Maria Ugolini, a collection of twenty-eight poems very special. Ugolini, poet Catania sensitive and very deep, with her ​​verses highlights the innocence of spirit that prompts to play and fantasize through imagination, to rejoice and celebrate the beauty of pure feelings.


Even more traces, more tracks recorded, most glosses and shadows indecipherable and clear. More images silhouetted within a poetic lexicon, if you at least with the minimum, with fragile fragile, is also full of colors and resources, large and jags of images that will take over the word and absorb, strike, make you think.

Read the latest works of poetry by Liliana Zinetti, Cypresses van Gogh (Giuliano Publisher Landolfi, Borgomanero 2011, following CVG) and the Sudden Sea (The spinning wheel Publisher, Forlì 2012, following IM) is at the same time experience the double happiness of the finding of previous poetic topoi and the discovery of an evolution that makes them this time even more incisive and precise. Find a landscape, and find it within a better light, a projection sharper. Also conceptual.

In a previous note I have already pointed out in Zinetti emerged as the semantics of things and events, combined with the knowledge and provisional inscrutability of the poetic word and, in reverse, of the human, everyday relationships. Dialectic difficult and not synergistically irriconciliata of Nature and Culture, and orientation of the experiential meaning of thingness and symbolic reality of inexplicable and research of its meaning. Critical approach that I have to reiterate for the last two works by Liliana Zinetti.

Non c’è misericordia/ per la nostalgia” p.65, the latter recite some verses of poetry collection by Renzo Rich. It is an observation, but a conviction and at the same time a rejection, a desire to repel away from his life any way you are looking for in the past the reasons for this.

 

"The eternity of ruins", in my opinion, is a path set in a time out of time, where past, present and future were raised to another dimension, and the thought of living in a continual and daily reality or the events of world, any particles that make up our existence have their reason in a eternarsi of consumption: “Oh l’umiltà del cosmo/ malgrado il suo splendore/ la modestia di nascere e svanire…”, p. 23.


Francesco Teruggi, writer and independent researcher, writer, engaged in journalistic collaborations, the work alternates with the search for ever new approaches to the cultures of the planet. He is interested in many scientific disciplines, archeology, paleontology, anthropology, astronomy. But do not hesitate to compare them with areas of knowledge often unusual, bold and exotic, ranging from the disciplines hermetic symbolism and initiation from radistesia to more advanced studies of "subtle energies."

Let's not forget its beautiful reportage published monthly in our magazine, which knows how to combine passion for knowledge, for understanding the culture and customs different from ours with fluid and engaging style, which makes him a writer of great level.


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