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Pane e zucchero is the new book by Menotti Lerro (Ladolfi, 2016, pp. 64, EUR 10) just released. It is surprising, because unusual and at the same time already known. Both the content (a childhood remembered without tenderness) in both forms (free, with fractional lines, many enjambement, with nervous rhythms and without mitezze). "Bread and sugar" was the formula that, in childhood in the South once again (now I do not know), was used to sweeten tea-time. Many years ago there were no snacks that today are found in supermarkets, there were not stuffed with ham sandwiches or provole. Or, rather, there were, but they were the preserve of rich families, aristocratic or bourgeois. After World War II in the South there was poverty, even misery. During the reconstruction have a snack with "bread and sugar" was the luxury of poor families. This title, therefore, not only is evocative of a time certainly not happy but was in the "formula" of bread seasoned with sugar sweetener of everyday life. especially children. The other formula, perhaps even more widespread in the South Italian, always in those years after the war but most of the reconstruction until the beginning of the seventies, was "oil bread and sugar" and the other "bread and oil." In short, poor solutions for palates that knew how to appreciate the little, that is, the bread as a staple food, which every day was based on pasta, and cheese, tomatoes and olive oil. Only weekly, it appeared the meat or fish. Indeed in Sea countries more often the fish, because then it was cheaper meat. It is (to be) of a poor diet with low calories, but with well-identified flavors. For example, the oil was the most popular product in the South, because there were (and still are) expanses of olive groves.

 


LaSicilia«Così che il silenzio non basta, / bisogna raccontarlo, indicarvelo / col dito - un rumore / ininterrotto, / fermarsi: ecco. ». Esigue parole, delimitano, esatte, il perimetro espressivo della psiche. Esistere «in una parte infinitesimale delle mani». Exist and touch the empty overturned being "more and the same." Empty, rescues Cioran, as mystical temptation, possibility of prayer, the moment of fullness. Vacuum that "fixes the folds of our steps." We speak of "variances" excellent first collection in verse by Maurizio Giudice, "Giuliano Ladolfi Publisher" (series "Pearls poem" n. 59, directed by Roberto Carnero). "Judge sculpts, he just a glimpse of life to open wide horizons of meaning - writes with reason Ladolfi Introductory Note -. The inner world is not expressed by an objective correlative, neither by the reconstruction of a lyrical, but the union between emotional perception and the world. He does not describe, comes immediately to the reader, involves him, provokes him, does not define, dazzles and leaves in his eyes flare to light horizons that a common eye can not see. " Maurizio Giudice, Catania Class '79, has a degree in Communication Sciences and specialization in Semiotic Disciplines. His poignant speech titled poetry and the possibility of the same act as mediator between man, the "secret rules of nature" and the silence that needs to be told. "Art, philosophy can be very useful tools in this perspective. In "The Purloined Letter" of Edgar Allan Poe, what we seek is before our eyes, but we do not see. Buddhist thought believed that they were the habits, automatisms of the mind, to which we cling, to prevent viewing of reality.

 


LeggereTuttiLogoby Bartolomeo Errera

A hermitage in the delirium of the war, an annoying rhythm of distant drums, the war becomes a reality and covers everything. Death believed / all away / driving eradicated from life. Everything burns in another destiny. The verses, these Boietti, seem to stop every page or, rather, seem to end, as the logic of poetry, on the contrary continue in the other page by creating a continuity theory of narrative built on individual verses and poetry without interruption of herself.

 


The latest novel by F. Romano Tagliati, a labor of two hundred pages published in January 2016 by the publisher Giuliano Ladolfi, has some features that do not hesitate to call rare in the literary context of the present day: language always adhering to the character's psychology, historical reliability, genuine testimony of the young protagonist who never fit into the chair, suggests the moral and psychological situation of a country that, after twenty years of dictatorship, is now in disarray. An honest book, where the author's mastery sievidenzia that, without ever resorting to complicated literary devices, prefers to tell the facts, avoiding the easy temptation to launch anathemas, or to transform the narrative in a police report, allowing his characters freedom to express themselves with the authentic simplicity of their usual language.

 


  1. DIALOGHI CON ME E CON I MIEI ALTRI on Avvenire
  2. DA MOMBASA A NEW YORK on La Vita
  3. CORPO MIO on Punto e Linea
  4. LA GIORNATA ALTROVE on Critica Letteraria

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