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NICOLE on Il Giorno
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CORPO MIO on Progetto Geum
In one of the first conversations with Lucia Ravera, the author of My Body, I told an incident that occurred at the anti-violence center where I worked. A young transsexual had approached the counter. The operator on duty had welcomed him and listened for a long time, but it was found to direct them to other services after asking him the document of identity, as the male gender resulting anagrafe not allowed to pick it up regulation. Born from the movement for women's refuges are aimed exclusively at female users. There was not much to comment on, me and Lucy There we recognized each other in the same loss, and thought of inconsistencies and paradoxes of a sick democratic culture of stupidity and bureaucracy.
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TRADURRE E' UN BACIO on SoloLibri.net
Tradurre è cucinare...Tradurre è una corrente...Tradurre è uscire dal contorno...Tradurre è lasciar dire...Tradurre, infatti, è capire...Tradurre è fare rima...Tradurre è un atto critico...Tradurre è un atto mitico...Tradurre è un’alchimia...Tradurre è un’armonia...La traduzione è danza...La traduzione è sogno...La traduzione è un bacio...
Are some definition that Nicola Gardini (poet, novelist, critic, painter, professor of comparative literature at Oxford and, in fact, translator) gives this art neglected, poorly paid, contested, which is a translation. Art in itself very humble, because it puts the muted personal voice of him who acts instead giving voice to something else
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GHIACCIO NERO: critics by Cristina Raddavero
Poetry is a drop in the desert that will not die
Seems to be an indication overturned by the collection of Giulio Marchetti: is the "desert" to not have to die to ensure life to poetry: the enigma that shapes Black Ice. The configuration of a real space where our inner nature is corroborated by pictures and memories , assumptions and whispers, a figure no side item, but securely latched to life in unadorned rhythm, dry, free of emphasis, not for this park of meanings, tense in the short lyrical breath and intense.
If then the land is the last refuge / Flight latter is characterized as a hyperbole of human nature declined in falls and nell'affievolirsi of light on the horizon you can glimpse the possibility that all features which you are applying (can a dance / stage life?) so well articulated as to succor the admonition of the Greek classics. Finally chromaticism underlying the entire collection unfolds in a blue boundless rather than in the red with open veins or a kind word autumn and silent to slip into the size of a non-color, black shaping shadows (Eppure siamo ombre/che sanno di avere/una forma umana) tightening in the stillness of an ice under which pulsate rivulets of the heart that can beat even.
Cristina Raddavero
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PANE E ZUCCHERO on TgNews
It's called Bread and Sugar (Giuliano Ladolfi publisher, 2016), the latest collection of poems by Menotti Lerro, young and early thirties with a rich path of literary awards such as to attract the attention of one of the most famous critics lettarari of Italian culture, such as Giorgio Barberi Squarotti. Born in Omignano, in the province of Salerno, this author has been distinguished by the impressive number of data jobs to the press and for the high quality of the same, rightly considered one of the most compelling emerging poets of the contemporary world.
He currently teaches English Culture and Civilization of a university of Milan, as well as in colleges.
He graduated with a thesis on the poetry of TS Eliot and Eugenio Montale, at the University of Salerno in 2004. He earned a Master of Arts in England and a PhD on contemporary poetry in English and Spanish. He was Visiting Scholar at the University of Reading (where he taught in postgraduate courses) and Warwick, after he had previously studied at Oxford. She is a freelance journalist and has worked in the Italian and foreign editors of the Mondadori publishing house.
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PANE E ZUCCHERO on Unico
di Ilaria Longo
The young poet of Omignano, Menotti Lerro, back in the library with the poetry collection 'Bread and sugar' (Landolfi Publisher, 2016). In the title it is already possible to see what the issues addressed in the poems: those related to childhood, to the days when two simple items such as bread and sugar could represent as much for a child committed to play and to live carefree childhood, the same that for Menotti was an "unrepeatable dream." Because 'dreams, good or bad, should be made only once, "said the poet. "Repeat the same dream can be tedious and may have little sense. My childhood was dreaming because wonderful (and I can say that it was for the greater part), and painful at the same time as I understood a little 'at all. I was a smart and joyous baby to live, enthusiastic about endless things. This has made me a child, and now a man, happy even if some family little problem at times made me, and makes me not sad. But I want to stress that those who believe, reading my poems, that my childhood was just serene or melancholy wrong to interpret my message because it was loving and exciting thanks to an exceptional mother, sisters and a little friends to play with and an extraordinary father who loved us and gave us all the love and wisdom that a child can expect to receive as a gift. " So Menotti clarifies the meaning of his poems and, a day beyond the memories of this period of his life, using his verses also tell the memory theme so dear to the world of literature and beyond. Memory closely intertwined with memories that emerge from the depths of each person, who - according Menotti Lerro - are simply memories, "pictures of us in the world, inner and outer, in a past time. Some pictures are pleasant and comforting, others less; often they distorted by the instability of memory that is not black or white, but many shades. Sometimes it's nostalgic memories, other liberation or, so to speak, 'neutral'. We remain in memories of various kinds, and every memory has its own independent life. "