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"E sia", an essential but immense title, taken from the most hermetic of syllogues. A perfect title in the sober graphics of the elegant and simple cover - ivory white edged with gray lozenges -, which embodies the primordial and primordial power of resilience. It grants and imposes, it is surrender and challenge ... A splinter of saving poetry to cling to so as not to sink into the abyss of night, waiting for dawn.

Liquid fire flows in this work by Grazia Procino - her second, precious poetic summit printed in the summer by the publisher Luciano Ladolfi and beautifully reviewed by Giulio Greco - which will be presented at Santeramo in Colle at 18.30 on October 15th "G. Colonna". Professor Stefania Santelia of the Department of Humanistic Studies of the University of Bari will talk with the author, focusing on her poetry and the beauty of Poetry, and an exponent of the House of Women of the Mediterranean.

The words of "E sia" overwhelm and upset, flowing impetuously into the riverbed of a classicism appeased by the intimate knowledge of Greek literature. They swirl between the whirlwinds of the senses, survive the dangers of the song of reason, the call of safe harbors of savory quiet. It is torment that gives them life, poised between the provocations of the contemporary and archaic paradigms of architecture that are reflected in timeless symmetries.

 

 


From the reading of this novel emerge authentic and genuine talents as a narrator, or the author's ability to weave the strings of a narrative capable of involving the reader and transporting him to the fictitious world of diegesis; fictitious but, when wisely constructed as in this case, capable not only of captivating the reader's attention, but of constituting itself as an authentic parallel world that joins the real world and, in the act of reading, even replaces it. The novel is easy and smooth to read, although it deals with themes that are often arduous but always fascinating and profound. After the collection of stories True man and true white heron, in the greater space of the novel, this skill in weaving textures now emerges in all its fullness and richness: the novel creates a dimension where the reader without realizing finds himself living , bound by the universe of narrative invention which, when supported by the qualities possessed by Fineschi, makes the real world forget, so much its strength and vitality. To achieve this result, the author uses a dry and sober, sustained and tonally high prose, yet alien to all sorts of complacency and preciousness. In doing so, the world outlined in this work, the various characters that move there and the bonds that bind them to each other, acquire a reality of their own, intense and vibrant among the pages of the novel, which run fast for the ability to involve the reader and lead him into that elsewhere created by prose.

 


  1. Queste non sono B-SIDE on BresciaOggi
  2. Simone Cattaneo su Yawp
  3. Orfeo in fonte santa review by Franca Alaimo
  4. Giuliano Ladolfi, interview on Radio Vaticana

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