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Kathleen Jamie (1962) is a poet of incrocite et surprised with great poetic power. They are symbolic deployments, established through an astonished and immersed density that leads to inner vision through ledges, dramas, iridescent and live crossings.

In the vastness of his work, émergent The tree house, edited by Giuliano Ladolfi Publisher, a by Giorgia Sensi, giving us a world crossed by special contradictions and infinite borders, and managing to make us live the confrontation between cultures with fresh ruthlessness, and the spasmodic movement of human nature and social nature with acumen and vitality.

Giorgia Sensi writes in the Introduction:

"What is striking in the whole poem by Kathleen Jamie is the immédiate combined with the depth of thought. His is a very lucid language and gaunt, privatiste academicism, which does not need frills, deceptively simple, and whose rhythms are built dans so you get all the naturalness of the spoken language. It is a distilled tongue, thin, full of surprising metaphors, whose Musicalité the étonnement et de la danse et de l'adolescence, especially quand en mode is herself to read his poetry. "

 

 


by Andrea Tadini

Over the past four decades the West is marked by a fertility rate well below the "threshold of substitution" - 2.1 children per woman on average - which guarantees the replacement of generations and balance not only quantitative, but also the quality of the population. The EU average rate is currently set around 1.5 children per woman.

Many scientists and intellectuals, stuffed more or less consciously neo-Malthusian faith, are arguing that such a weakening of births in the West should, indeed, be considered as a resource, because the small number of children, and the population would be a guarantee of a better environmental, economic and social for the Earth; and therefore it seems ridiculous, if not insane, claiming that always the people with stable family institutions, are numerous and cohesive pattern of success and prosperity for the whole society.

Also, if you talk about "European identity disappearance", it has run accused, as well as those who are doing their utmost in the animal field for the defense of biodiversity, cultural racism, as if to preserve the identity of a people, as learned in the course of countless historical, human, cultural, religious, political and economic, that meant reject in toto what is found in other cultures.


by Sarah Diodati

Who are the servants of God Licia Gualandris (1907) and Settimio Manelli (1886-1978)? These are two Christian spouses, Franciscan tertiary, paragons of virtue in their long Christian life lived in the troubled twentieth century. They believed so much in the family open to life up to twenty times. Yes, in fact, the Manelli couple had as many as 21 children, among them that Father Stefano Maria Manelli, founder of the Franciscans.

Following this new agile but fascinating biographical book by Giuseppe Brienza, entitled Philosophy of Life of the Servants of Dio Licia and Settimio Manelli [with a "presentation" of Fr Serafino Tognetti, Superior General of the Community of the Sons of God, Giuliano Ladolfi publisher, Borgomanero (Novara), 2017, pp. 70, € 10], we can discover the wonderful life, beginning with that of Settimio Manelli, who was born in Teramo (Abruzzo) April 25, 1886 and died in 1978, the day of the feast of Beata Vergine of Good Counsel, which he was very devout during his long life.

 

 


Silvia Rizzo
Michele Marullo Tarcaniota,
Elegie per la patria perduta e altre poesie
introduzione, traduzione e note di P. Rapezzi, Borgomanero,
Giuliano Ladolfi Editore, 2014, pp. 76

12 April 1500: the arrival of spring with melting snow
She has swelled rivers by clearing under a stream of swirling water
the usual fords, including that of Cecina stream on the road
Maremma Volterra that leads to the sea. Here comes the ford
a knight, dressed in black, blacks hair and olive complexion, body
dry and vigorous man using exercise, lined face
the great outdoors. Having reached the river stops and contemplates
turbid and rushing waters, then he gives a spur to the horse and pushes
decisively into the ford. That horse and rider are already
middle of the river, but then maybe the horse slipped on the mud of the bottom and
in a moment both are overwhelmed by the swirling waters. After
a bit 'the horse gets up, swim, barely reaches the other shore, but
on the rider is the muddy waters are definitively closed the
Chickpeas flour pie.

 


  1. LA CASA SULL'ALBERO intervews and review on Mosaici
  2. I VOLTI NON HANNO PIU' NOME critical note by Gabriella Sica
  3. ROBERTO MOSI interview at Toscana Tv
  4. HENRY ARIEMMA: ARUSPICE NELLE VISCERE on Corriere della Sera

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