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La varianza è uno scostamento dalla media, uno scarto.
Uno scarto tra linguaggio ed esperienza, tra normalità e devianza.
Una marginalità dal sistema produttivo, un fuori dall’ordine sociale del lavoro.
Una separazione della psiche disfunzionale dal mondo, dalle sue linee d’ingresso.
Una differenza nella scrittura in traduzione: una genetica della distanza.
Una periferia che non si fa centro, ma che ne è definita, attratta, in tensione.
Una tensione che, rotta, non ha più nomi, identità precise, ma deserto.

Sei poesie scelte da Varianze, Giuliano Ladolfi Editore, 2015

 


LogoPopesiaSpiritoCosì parlo di te e di me, provincia/ mio utero e Moloch di batteri e licheni,/ di statali artisti e giocolieri,/ ristoranti che urlano al taglio del cordone/ usuraio, magi che arrivano/ al momento della crocifissione/ per sperperare denaro/ e lasciare anziani davanti/ a una televisione senza eredi.

In his preface to the small anthology of Enrico Barbieri dedicated to the Province, Giulio Greco speaks of civil poetry. In fact, although the semantic link with the places and the issues of the local community both thematic and therefore direct the author's relationship with his own civilization is upside down. These poems do not express the soul of places lived and the collective breath of his experience in his dialogue with the land in which you live. Following a reverse path, outside-in, are locations shown that end up being a sign and symbol of how the subject perceives himself and reality. The only civilization that comes out in this collection is the inner author. Rather than civil poetry, objectively extrovert, the Province of Barbers is impressionistic, introverted. The landscape is just the transition from the outside world to the inner life of the author.


Nunu Geladze has enclosed in the publication in Italian Vine and branches. Anthology of contemporary Georgian poets (Giuliano Ladolfi publisher, 2014) the history and civilization of the Georgian people in the last hundred years.

Some might raise objections on the statement, but I am not afraid of arguments for. We know the great medieval culture not through the news or notarial documents, but through Dante's Divine Comedy, which, to use the expression of an Italian philosopher Luigi Pareyson, not "described" the period in which the poet lived but it has "revealed", she has handed down that the Weltanschauung or world view, in which men of his time inhabited the earth. In his poems are not only characters or earthly and otherworldly, but the religious spirit of which was impregnated the culture of the time, marked by the words of St. Paul: "Videmus nunc per speculum et in aenigmate, tunc autem facie to faciem" (now we see the reality as it is not, but only in a mirror and proposed to us in the form of puzzles, when we will be in the afterlife we ​​will see directly, without mediation).

That's the intent of translator and curator: to offer readers of our language not only a gallery of poets, but go through them in the "spirit" of a people from the occupation of the foreigner has achieved freedom and is trying to start with dignity its own path with the other peoples of the world and bringing the entire planet the contribution of their own originality.


2015 ends with a flourish with the release of the much novel Lucia Ravera, writer write elegant and introspective that will captivate you in the reading of "MY BODY" Ladolfi Publisher. Lucia Ravera, classical studies, degree in Russian literature, lives near Milan. A freelance journalist, is currently head of the press and communication of a public body. He works as a freelance copywriter, he has taught in secondary schools of first and second degree and participated in the drafting of plays of literary criticism. He published his first novel in 2008, "The story ends here" with Ugo Mursia and 2012 the interesting essay "The girls of writing" for Ladolfi publisher.

 


logo GazzParmaAs the third essays Giuliano Ladolfi publish about "Atelier" (the magazine he founded in 1996), from his new poetry collection "Certificate" emerges the need to face reality without reservations, with the courage (almost, I would say, from the Christian origins) choices blunt, total. What is necessary to the poet witness? Firstly that the world in which he was born and grew up, the countryside around Lake Orta, continues to exist, although still trying to savor the flavors and spirit, living far from the dizziness of history, condemning to a radical "absence ", on one condition, almost, from the spectrum (a condition reminiscent of Sereni prisoner in Algeria while burning Europe).
Addressing a party that remains hidden, immersed itself in the distance, the author confesses to feel windward aporias insoluble. Of course the figures, habits, rituals dell'immemoriale past (the saints of the calendar, the sense of family, the food, the wine, the work, the tolling of the bell tower) are still the "threads" of a human tissue of humble beauty, yet today, in '"parallel universe" of the country, the truth is hidden, the words have something stagnant and even the exercise of poetry it is difficult
("M'accingo ogni mattina, ma ogni lettera / abortisce sul bianco della pagina")

 


  1. "Prova del nove" on L'Estroverso
  2. "Varianze" on Via Lepsius
  3. "Un asino caduto dal cielo" on Libri In Pantofole
  4. "Abbiamo identiche mani" on EspansioneTv

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