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logolestroverso“[…] there is a book that someone wrote; but someone wrote it does not become that book. It would be quite desirable for a book to become someone, namely he presenziasse himself, existed then (with someone who occasionally also can literally give voice), but first of all 'silent', and with all the eloquence that only the written page, de -finita, it is able to release. And for this to happen it is necessary, of course, something that 'moves' beyond the motives. A book that does not respond to himself, or rather in itself, and write it means first of all get rid of, not justify. It means free. Go to the sea. "It swims then! Hit his head this wave spilling against you, with you is broken down and you».

 


ViaLepsiusThis is a plaquette of 44 verses distributed in 13 texts: do not write to point out a kind of strangeness or uniqueness, but to highlight how determinedly the author has reduced to a minimum his work, to the threshold of scarnificando total white of the page in your own handwriting. The back cover is called the practice of contemplative Buddhist emptiness that nell'ensō (the circle of symbols zen depicted on the cover) their representation; right and, for my part, I would also refer to two concurrent trends of contemporary poetry, one of which prefers to prune to the bone writing, in deliberate opposition to the noise and nonsense that would engulf everything and every thought. There is an implied criticism of this redundancy, often vain or narcissistic and the two verses on page 13 open work are conclusive in their conceptual value:

E quando arrivi hai davanti il muro, la corsa verticale.
Le evoluzioni, in uno spazio addensato, sono millimetriche.

 


libri rock editionIt happens sometimes underestimate what happens to us. It happens, for example, going on a long journey and forget along the way, the destination or the reason for that trip. Or you leave for a short trip and we find ourselves, after so many years, even around the world. In both cases we adapt, for better or worse, the change of perspective, but it underestimates the scope. [...] And if certain things happen to shake the torpor or to show us our true vocation or to warn us that the time available to us is almost over?

(Vito Carrassi, Un asino caduto dal cielo)

Good evening readers in slippers! I am back to talk of my reading. Today I "story" a book that kept me company a few weeks ago and for the reading of which I sincerely thank the author, Carrassi Vito, which was really nice and made me gift of a copy of a donkey fell from the sky. It is a novel really very special, sui generis, and proved to be a pleasant reading as unsettling and surprising. But, by now you should know, first we start from history:


It was released for the types of Giuliano Ladolfi Editore, Praticare la notte, a compilation of Ksenja Laginja. The depth of being expressed by the poet Ligurian sharp blades are small, thin glass that penetrates beneath the skin, almost without being perceived, so that dissect the soul, perceptions, feelings, exposing them to pearls of essential human depth.


  1. "Corpo mio" on Mangialibri
  2. "Crysi" on Il Pickwick
  3. "Varianze" on Nazione Indiana
  4. "Varianze" on Poetarum Silva

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