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LogoAliasOne of the masterpieces of Russian modernist poetry of the early twentieth century, the Songs of Alexandria Mikhail Kuzmin, only partially known to the reader in the Italian translation before Renato Poggioli, then Annelisa Breed, is now offered in the spacious and nicely equipped version of Paola Ferretti ( accompanied by comprehensive introductory texts, Giuliano Ladolfi publisher, pp.121, and 12.00). The genesis of this cycle of poems, despite its linearity,
It is complex and covered by a strong desire to dig into the musicality of the word. The first part of 1906 there appeared with numerous accretions in the collection networks in 1908, and in 1921 the poet then accompanied some of his lyrics with musical adaptations of his bill.
Compounds in vers libre, a kind of niche in the Russian poetry of the time, The Songs of Alexandria develop specific intonations of the poet that fit into his broader creative project, which also included sophisticated processing of prose forms. Both in their breath in the topics discussed, the Songs of Alexandria greatly affected the Chansons de Bilitis by Pierre Louys and rich literature
Egyptian subject, from that of Gustave Flaubert that of Anatole France, but also of minor texts, such as Les Contes populaires de l'Egypte ancienne Gaston Maspero.


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In 1996 was arriving in bookstores "I Miti Poesia": an unusual format, similar to that of a CD, covers pop, small collections of fifty texts for the great authors of all time, and the back advertising for Calvin Klein. It starts with Sappho and Montale, the Mondadori press each title with a circulation of 100,000 copies, two titles a month ranging in all libraries in Italy to 3,900 pounds.

Amazon was the first, before the success of the festival, but even before the crisis, were the years when something, after the darkness of the eighties, began to move again in poetry.

 


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I read Conjunctions divergent Giuse Iannello, attracted mainly by the name of the novel, I was immediately intrigued.
My feeling positive fortunately was rejected. I must say that the book I liked it, that struck me.

I am attached to the protagonists of the first pages of Iannello and I felt sorry for them when they faced difficult times, and I rejoiced with them when it rained from heaven good news.
On the one hand Caesar, son a little 'subdued the rich - but also antipatica- Countess Lucrezia Della Rocca, mature woman snooty (of the kind of arrogance typical of the people enriched by undue credit) that terrifies opposite to aging .
Across Andrea, nice ladies' man who, despite his wife Alessia and the son Lorenzo, never fails to appreciate, so to speak, with the girls he meets. Point of contact between the two friends is Lucia, sister and girlfriend Andrea Cesare, who despite his young age, he discovers he has a kidney that is not working properly.


larecherchelogon the world of literature and in particular in the field of poetry, Giuliano Ladolfi is a name recognized and recognizable authority. Primarily for his poetry in their own and then for its militancy critical extra-academic ten years, which in recent years have done to land the role of Publisher, played by faith in the spirit of those who have always believed in the value of the letters in blackberries to educate the man being and interpersonal skills regardless of whatever I do in life, looking for a shade that would give meaning to existence, in the long-continued fighting against nihilism. Ladolfi was tenured professor in high schools and then Dean. Let me say that Ladolfi, -which certainly will be more than happy with the role svolto-, in my opinion, would be a great university professor and he definitely contributed to the academy that luster, which, alas, in recent decades the ' University lost for the fact that he let slip personality of his caliber to take the chair, because unfortunately for management to say the least of bankruptcy university competitions and authorizations related to nepotism and patronage, it has not always been given free access to the most deserving. Some may think that this statement can be free, maybe linked to friendship, or simple knowledge of Ladolfi, or some gratitude. Not so. Since this judgment is based on the curriculum as a part of our literary, but also by the fact that the Association we are presenting in this brief note, the poetry of the twentieth century: from fleeing in search of reality, in five volumes, would be enough to justify As just stated. Indeed poetry of the twentieth century looms as a monumental work on our contemporary poetry, such that they should definitely make their mark.

 


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Evening organized by the Cultural Circle Alba, a meeting with the author that this time has seen protagonist the writer Giorgio Rings, interviewed by Fausto Bossi in the multipurpose room of the city library Piazza Matteotti.
Between passion and nostalgia, the young writer gallaratese retraces the steps of the book remembering the importance
of culture, of writing, of being among the people and know how to communicate, or rather communicate again, in contrast with today's technologies that are likely to isolate the youngest in a "virtual" world, relegating the corner of that world "real "that we see daily active players.

To enter the volume, the careful and meticulous analysis of the stories presented by the President of the Circolo Alba, Antonio Vaccaro.

 


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