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New round of review "Aperitivo copyright", with the exhibition of works by an artist in the local office of the bank Mediolanum Financial Advisors in Montecatini. At 17, now is the time to Matilde Calamai, Pistoia journalist and television presenter of RTV 38 as well as writer and painter, who will present his latest book, "Paola beyond words" published by IUniverse in the United States ("Paola beyond words", 2013), now translated into Italian by Ladolfi editions, the occasion will be the usual aperitif offered to participants.
THE BOOK - In front of the mirror , the young Brasillach turns out to be like all alone in the world : only the face of life , only to face death and that there is no purity or beauty or dreams of greatness to be pursued ; that life is always that you've already lived because it is about what you do the math, and memory is the most precious thing with all that jealously preserved and at the same time the most cruel and difficult to regulate and manage. And that there is no intelligence or faith that takes the face of despair of loneliness and death, in front of the power that has its reasons only in strength to overpower as it is the only logic that emerges from events like this , and that under trace rule life is not for everyone, something banal and generic , but of all those who are on the other side of the fence that divides the lives of more and more weak by others.
All of this is in the verses of his poems written and lived in the prison of Fresnes and make him finally a poet of the same human quality of André Chénier and François Villon .
In the personal recherche Alessandro Russo, the poetic coagulates around the theme of the land, the peasant lost civilization and as a poignant love , shapes , ancestors of reference, with echoes Pascoli . It tells the poet that his grandfather was sitting quietly by the fire and watched him : "And I loved the silence because I believed that my grandfather was teaching me to listen ." He read in the shade of an olive tree , looking at the sunny hills , he heard the voices of peasants from one farm to another . If it rained , the reading table ended up under the window, and the young Alexander, Alexander the child, "breathed the strong smell of the earth, the scent that emanates in the end, as if you open up to offer me the best part ." And so , "It was then that these poems were born . I figured just getting older . " With a confident and candid exergue, ("Only poetry can save the man" : Ungaretti ), Russian ranks in the wake of Proustian remembrance of ' lost time ', nostalgia , universal feeling . The book has a foreword by Vincent Guarracino : " You may want more from a poem if you do not know what to say what he wants to say , that the loyalty to a node essential, in the heart of one's being adults? » . In a " perpetual circuit of death and rebirth ' into a ' harmonious system "; these poems , he says Guarracino are illuminations, idylls " in verse net and rigorous brief contained in the breath of an image, a thought."
In the usual debates that have as their object the role of the intellectual, one of the modern errors is probably the will to insist that distinguishes this figure suldualismo our national imagination . In theory it attaches to the literature , a necessary civic engagement : the writer engagé since become legitimized by its status . The ' expectation has therefore generated unm oderno feeling of nostalgia for a romantic stereotype of intellectual , more imaginary than real. We must also not forget the context of reference, because no sector of society is immune from the crisis, not only in the economic but also political and social . While this accadevaintellettuale -humanist continued to devote himself to his art , literature . as if this crisis does not concern him . The festival , literary prizes have continued undisturbed their adventure , without formatting and closer to the television genre as much opposed . Then there is the deep sense of belonging to the " grid " that since the war never ceases to confuse and deceive .
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